Avenged Sevenfold - City of Evil

There's been a lot of hype and noise surrounding City of Evil, the latest released by Huntington Beach's Avenged Sevenfold. "The most anticipated release of the year" or some such nonsense reads the sticker on the CD. "Sellout" and "I'll never forgive them for stealing Overkill's bat!" (which they did) reads postings on the message boards of heavy metal sites. I picked the album up and...it's okay. Nothing revolutionary. It doesn't suck. It's okay. This album is a slicker affair then their previous two albums, Waking the Fallen and Sounding the Seventh Trumpet, but I really question whether moving from screaming to singing is selling out or whether it is trying to stand out from the crowd. Have you seen Headbangers' Ball lately? Hardcore, death metal, and Pantera/Machine Head wanna-be's are wall-to-wall. How do you stand out from that? By sounding like every other band on the Ball or do you swing the pendulum the other way and try singing for a change? These are things I think about while fast-forwarding my DVR through most of HBB. Back to Avenged Sevenfold, the vocals, at times, reminded me of somebody but it took a while to figure out who: a less raspy John Bush (Anthrax, Armored Saint). Not always but on cuts like Blinded in Chains he sure does. City of Evil is a heavy, interesting album that you should check out and not just blow off based on what you've read on the boards. Check out Bat Country.

AFI - Sing the Sorrow

I saw a video on Headbangers' Ball that really caught my eye. It was for AFI's song The Leaving Song Pt. II. Very interestng video--keeps you off balance. So I do some digging on the band and get their latest CD, Sing the Sorrow. First off, this was released in 2003 and yeah, yeah, yeah, this isn't exactly a cutting edge article. So sue me :-). This album is quite a departure from AFI's previous albums, which were definitely punk. That's a drag for their old fans (with the expected cries of "Sellout!") but to my ears this sound better suits AFI. Their punk sound was more Offspring than hardcore, and I don't much care for The Offspring (not enough edge). This new sound is edgy enough for rock and with the punk influence still there, it's a fresh sound. Also check out Miseria Cantare - The Beginning and I promise that the next time I write about AFI, it will be more timely.

Candlemass - Candlemass

I was able to see doom metal pioneers Candlemass on their last tour of the U.S. back in 1991. Good stuff. The band broke up after that tour. Well, technically, singer Messiah Marcolin left the band which, for me, means the band broke up. Then, a few years ago, Messiah re-joined the band for a reunion tour. Things looked good for a new album, some demos were cut...and then the band broke up...only to get back together several months later. What did all that turmoil produce? How about the best album of their career, the self-titled Candlemass. Messiah's voice, for the unwashed, is this quasi-operatic force of nature. The first time I heard it I didn't know what to think but I was definitely drawn to it (I actually went back to the CD store to sample Ancient Dreams several times before I finally bought it). Now that you have been forewarned, the new album is filled with the band's trademark doomy sound but it is even heavier than before. If you are a fan, don't worry, just get the new album. If you are curious about the band, this is a great place to start. Check out Black Dwarf and Witches.

Life of Agony - Broken Valley

When New York's Life of Agony released their debut album, River Runs Red, back in 1993, it was really something. Not quite hardcore, not quite thrash, but definitely heavy and dark, it was a unique sound at an interesting time. Both Metallica and Nirvana were peaking, in one way or another, and this album flew in the face of all that. When the follow-up, 1995's Ugly, came out, it was...unexpected. LoA had made a 90-degree turn with their sound but the results were mixed. Despite what some may say, heavy metal can be a progressive genre (Black Sabbath, anyone?). However, this was a bit of a disjointed mess. Their audience was confused and after one more album, Life of Agony was no more. A few years ago they decided to give it a go again and the result is Broken Valley, which is what Ugly should have been ten years before. The new album is still a big departure from River Runs Red but it's a more natural progression than a forced one. Album opener, and single, Love to Let You Down (video here) is plenty heavy but in a different way than the past. Progress, even in heavy metal, is a good and welcome thing (however, bad is not progress, it's just bad). Broken Valley is a great return for LoA. Check out Justified for more.