Back in the mid-aughts, I had a music blog for a year. Finding new (i.e. "fresh") music that I liked turned out to be a lot of work, so I stopped. Every so often I get the itch to write about music. But where? So I created this as a place to write as well as post my old blog entries.
Tuesday, September 13, 2005
Heavy Bones
A few months ago on VH1 Classic's
"Metal Mania"
show, I saw a video I had never seen before
by a band I had never heard of before.
I'm watching it and it's all one long shot--no cuts.
That was interesting and then I saw that the drummer kinda looked like
Frankie Banali
(Quiet Riot, W.A.S.P.) but it couldn't be him, could it?
Turns out that it was him and on guitar was
Gary Hoey.
What the heck is going on?
How did I miss these guys?
Well, those two musicians and two other fellows did get
together and formed a band called
Heavy Bones.
The album they released is pretty good.
Some really good cuts and some filler--definitely a product
of its time.
So why had I not heard of them?
Because the album came out in 1992 and these guys were not wearing flannel.
They weren't a hair band but traditional hard rock quickly went
out of fashion in '92 and Heavy Bones was one of the casualties.
Again, this isn't some great masterwork but it's a good hard
rock album from the era that you might not have heard of before.
Unfortunately, it's a bit of a rarity so it can get pretty
pricey at both
Amazon
and
eBay.
Here are a couple of tracks to check out.
4:AM T.M.
was the video I saw.
The Light of Day
is my other favorite track.
Friday, August 19, 2005
Mediæval Bæbes - Mirabilis
The Mediæval Bæbes
are back with their special style of Mediæval period-influenced music.
Their new album,
Mirabilis,
is my favorite of the five I have.
I've gone back to the other four to try and figure out why.
I thought maybe it is because the vocals are more upfront and
less atmospheric.
Problem with that is my favorite song on the album,
Lhiannan Shee,
is as atmospheric as you can get.
Maybe it is just the newness.
Whatever the reason, it is good stuff.
If your ears are looking for a rest from all that rocking out,
and your brain would like to lose itself some lush
and very feminine sounds,
the Bæbes
have what you are looking for.
Check out
Trovommi Amor.
Thursday, August 4, 2005
Krumble - thirteen
In my last CD Baby order the bonus disc was
Thirteen,
the 2001 debut by Cleveland band
Krumble.
These bonus discs, as you might imagine, tend to suck but I always
give them a listen because you just never know.
Turns out it's pretty good stuff.
Rocking sound with an edge.
Solid female singer.
A good first effort from a local band.
I wanted to find out more about them so I went to CD Baby to read
the album's page.
No band listed there by that name.
Huh?
I tried a few variations but nothing came up.
Odd.
I did the Google thing and came up with
their site.
Turns out the lead singer on that album,
one Theresa Carroll,
has been replaced but you can click to listen to a couple of tracks with
their new lead singer.
Problem is, the link is broken.
Search on Theresa Carroll--nothing.
The band does have
thirteen
for sale on their site, so it appears that that is the only game in town.
Problem is, I go to write this tonight and the band's site
is pretty much gone now, replaced by a
The future home of Krumble
page.
So here's this local band with some potential and,
for whatever reasons,
just disintegrates.
I don't get to hear them get better.
I don't get to hear their lead singer develop.
Even CD Baby doesn't carry their album anymore and they carry
anybody's album.
For some reason it just struck me as sad, that's all.
Take a listen to
Vow
and
Awful Truth
to hear what you missed.
UPDATE 2020: Theresa Carroll was also in a band called Spider Lilies around the time she was in Krumble. They reunited a few years ago and have an album called Everything on iTunes.
Tuesday, July 19, 2005
Avenged Sevenfold - City of Evil
There's been a lot of hype and noise surrounding
City of Evil,
the latest released by Huntington Beach's
Avenged Sevenfold.
"The most anticipated release of the year"
or some such nonsense reads the sticker on the CD.
"Sellout" and
"I'll never forgive them for stealing
Overkill's
bat!" (which they did)
reads postings on the message boards of heavy metal sites.
I picked the album up and...it's okay.
Nothing revolutionary.
It doesn't suck.
It's okay.
This album is a slicker affair then their previous two albums,
Waking the Fallen
and
Sounding the Seventh Trumpet,
but I really question whether moving from screaming to singing
is selling out or whether it is trying to stand out from the crowd.
Have you seen
Headbangers' Ball lately?
Hardcore, death metal, and Pantera/Machine Head wanna-be's are wall-to-wall.
How do you stand out from that?
By sounding like every other band on the Ball or do you swing the pendulum
the other way and try singing for a change?
These are things I think about while fast-forwarding my DVR through
most of HBB.
Back to Avenged Sevenfold, the vocals, at times, reminded me of somebody
but it took a while to figure out who:
a less raspy John Bush
(Anthrax, Armored Saint).
Not always but on cuts like
Blinded in Chains
he sure does.
City of Evil is a heavy, interesting album that you should
check out and not just blow off based on what you've read on the boards.
Check out
Bat Country.
Thursday, July 14, 2005
AFI - Sing the Sorrow
I saw a video
on Headbangers' Ball that really caught my eye.
It was for
AFI's
song
The Leaving Song Pt. II.
Very interestng video--keeps you off balance.
So I do some digging on the band and get their latest CD,
Sing the Sorrow.
First off, this was released in 2003 and yeah, yeah, yeah, this isn't
exactly a cutting edge article.
So sue me :-).
This album is quite a departure from AFI's previous albums,
which were definitely punk.
That's a drag for their old fans
(with the expected cries of "Sellout!")
but to my ears this sound better suits AFI.
Their punk sound was more
Offspring
than hardcore, and I don't much
care for The Offspring (not enough edge).
This new sound is edgy enough for rock and with the punk influence still
there, it's a fresh sound.
Also check out Miseria Cantare - The Beginning
and I promise that the next time I write about AFI, it will be more timely.
Friday, July 8, 2005
Candlemass - Candlemass
I was able to see doom metal pioneers
Candlemass
on their last tour of the U.S. back in 1991.
Good stuff.
The band broke up after that tour.
Well, technically, singer
Messiah Marcolin
left the band which, for me, means the band broke up.
Then, a few years ago, Messiah re-joined the band
for a reunion tour.
Things looked good for a new album, some demos were cut...and
then the band broke up...only to get back together several
months later.
What did all that turmoil produce?
How about the best album of their career, the self-titled
Candlemass.
Messiah's voice, for the unwashed, is this quasi-operatic
force of nature.
The first time I heard it I didn't know what to think but
I was definitely drawn to it
(I actually went back to the CD store to sample
Ancient Dreams
several times before I finally bought it).
Now that you have been forewarned, the new album is filled with
the band's trademark doomy sound but it is even heavier than before.
If you are a fan, don't worry, just get the new album.
If you are curious about the band, this is a great place to start.
Check out
Black Dwarf
and
Witches.
Wednesday, July 6, 2005
Life of Agony - Broken Valley
When New York's
Life of Agony
released their debut album,
River Runs Red,
back in 1993, it was really something.
Not quite hardcore, not quite thrash,
but definitely heavy and dark,
it was a unique sound at an interesting time.
Both
Metallica
and Nirvana
were peaking, in one way or another,
and this album flew in the face of all that.
When the follow-up, 1995's
Ugly,
came out, it was...unexpected.
LoA had made a 90-degree turn with their sound but the results were mixed.
Despite what some may say, heavy metal can be a progressive genre
(Black Sabbath, anyone?).
However, this was a bit of a disjointed mess.
Their audience was confused and after one more album,
Life of Agony was no more.
A few years ago they decided to give it a go again and the result is
Broken Valley,
which is what
Ugly
should have been ten years before.
The new album is still a big departure from
River Runs Red
but it's a more natural progression than a forced one.
Album opener, and single,
Love to Let You Down
(video
here)
is plenty heavy but in a different way than the past.
Progress, even in heavy metal, is a good and welcome thing
(however, bad is not progress, it's just bad).
Broken Valley is a great return for LoA.
Check out
Justified
for more.
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