P.S. If you like this kind of music, check out The Flir, too.
Back in the mid-aughts, I had a music blog for a year. Finding new (i.e. "fresh") music that I liked turned out to be a lot of work, so I stopped. Every so often I get the itch to write about music. But where? So I created this as a place to write as well as post my old blog entries.
Monday, August 30, 2004
The High Violets - 44 Down
Shoegazing time!
The High Violets
make that dreamy, swirly, turn-on-the-fog-machines
kind of shoegazing music that I like so much.
Check out the title track,
44 Down
and
Wheel.
Friday, August 27, 2004
Glen Campbell - All the Best
If you weren't around in the late sixties and early seventies,
if you know of
Glen Campbell
at all it is probably from
his DUI arrest last year
or his
Behind the Music
episode.
It may be hard to believe (or remember) but once upon a time
Glen Campbell was HUGE.
When he hit Los Angeles in the early sixties he quickly made a name for
himself as a hot session guitarist.
Later that decade his solo career took off in a big way and Glen carved
his niche as a country/pop crossover.
He had his own television variety show
and starred alongside John Wayne in
True Grit.
Along the way, of course, he made some great music.
None greater to me than
Wichita Lineman,
which easily holds up almost 35 years later.
His troubles with alcohol over the years makes one listen to
Rhinestone Cowboy
a lot differently these days.
It was just irritating way back when (HUGE hit) but hearing
"...a smile can hide all the pain..." today makes me pause.
Monday, August 23, 2004
Placebo - Sleeping With Ghosts
If had to describe
Placebo's album
Sleeping With Ghosts
in one sentence, it would be,
"Pop meets goth, sung by the Pet Shop Boys."
A pretty mellow album
(don't let the opener,
Bulletproof Cupid,
fool you).
Even the upbeat numbers, like
The Bitter End,
have a slow melancholy to them.
The title track,
Sleeping With Ghosts,
is my favorite.
Friday, August 20, 2004
The Rebel Pebbles - Girls Talk
I suppose I'm a fan of girl groups.
The Go-Go's, The Bangles, The Pandoras, L7,
Heart (yeah, yeah, I know they don't count but still...).
The thing is, though, I don't really think of them as girl groups.
I know there are women in the groups and all but I tend think of them as just
bands.
The Rebel Pebbles,
on the other hand, I do think of them as a girl group.
Girls Talk
came out in 1991 and I had never heard of it until a month ago
(it came out during
the KNAC years
so I wasn't hearing a lot of non-metal
at the time, I suspect).
Anyway, it's not a bad album (way out of print but you can find it
used for cheap--I did).
Sure there are some clunkers
(did 1991 really need a song called Groovy Love?)
but it also has a few gems like
How Do You Feel
and the way-too-cute
Eskimo and Butterfly.
I have to mention
Anthony's Attic,
a song about--I kid you not--how sexy intelligent men can be
(it manages to be both sexy and weird at the same time).
The band (with ex-Pandoras
drummer
Karen Blankfeld
playing guitar)
released their one album and sort of disintegrated
(on-the-road stress, etc. though the
impending Nirvana tsunami might have had something to do with it).
I figure I'm not the only fan of girl groups that had not
heard of them, so I submit for your approval: The Rebel Pebbles.
Monday, August 16, 2004
Joey DeFrancesco - Incredible!
Did you know that there is a sub-genre of jazz that features
the mighty
Hammond B-3 organ?
You did?
Oh.
Sorry but everything I know about jazz I learned from
Ken Burns.
Incredible! features present-day jazz organ wizard
Joey DeFrancesco
with a special guest, jazz organ pioneer Jimmy Smith.
Now I can't tell good jazz from bad but I can tell you that
if you're a fan of the Hammond
(favored by Keith Emerson, Jon Lord, Rick Wakeman, and so many others
in the rock world)
you will want to give this a listen.
Joey and Jimmy team up for two medleys on the album.
Check out
the first
and
the second.
Now if you'll excuse me, I need to investigate some
Bernie Worrell...
Friday, August 13, 2004
Celldweller - Celldweller
This is an interesting one.
Celldweller
starts off with
Switchback,
a catchy-as-heck techno rocker.
Great beat and you can dance to it or bang your head to it.
With such a catchy opener, you would expect more of the same...and
you would be wrong.
This album is all over the place.
Rock. Techno. Mellow ditties like
Welcome to the End.
I wonder if people attracted to the rock will be put off by the techno
and vice-versa.
Best not to think too much about that and, instead,
just listen to the music.
With Celldweller able to make
such a rocking single
they can't help but become more popular.
Wednesday, August 11, 2004
Ennio Morricone - MondoMorricone
Ennio Morricone: the man, the myth, the legend.
Regular readers are going to become familiar with him,
if they are not already.
Most of you should at least be familiar with his work on
The Good, The Bad, and The Ugly
and
The Mission.
He is so prolific
(there is no exact count of the several hundred scores he has written)
that there are more compilations of his work than most composers
have original albums.
The MondoMorricone series
(MondoMorricone, More MondoMorricone, Molto MondoMorricone)
is one of the more unique collections.
It gathers some of Il Maestro's groovier pieces from movies of the
late sixties and early seventies.
Not much you'd want to dance to at an Austin Powers-themed party
(see if you can dance to
Alla Luce Del Giorno)
but you could play all three albums in your swingin' bachelor pad
while you entertain that far out chick of yours
(dig on Giocoso, Gioioso, baby).
A fine addition to the collection of any Enniophile
or someone who appreciates the groovier things in life.
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